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<channel>
	<title>Freedom Management</title>
	<link>http://frdm.co.uk</link>
	<description>The home of Freedom Management</description>
	<pubDate>Thu, 04 Mar 2010 14:21:14 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.3.1</generator>
	<language>en</language>
			<item>
		<title>Josh Osho</title>
		<link>http://frdm.co.uk/2009/10/29/josh-osho/</link>
		<comments>http://frdm.co.uk/2009/10/29/josh-osho/#comments</comments>
		<pubDate>Thu, 29 Oct 2009 14:18:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Artists]]></category>

		<guid isPermaLink="false">http://frdm.co.uk/2009/10/29/josh-osho/</guid>
		<description><![CDATA[
“A boy in appearance, a man at heart. At 18 don’t let his youth fool you, his songs are bursting with the experience and maturity you would expect to find at the heart of a well seasoned musician. His performances will take you on a rollercoaster of emotions, as your tears turn from those of [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://frdm.co.uk/wordpress/wp-content/uploads/2009/10/josh-osho-4.jpg" alt="josh-osho-4.jpg" /></p>
<p>“A boy in appearance, a man at heart. At 18 don’t let his youth fool you, his songs are bursting with the experience and maturity you would expect to find at the heart of a well seasoned musician. His performances will take you on a rollercoaster of emotions, as your tears turn from those of sadness to joy and mirth. Josh Osho is an undeniably original act and his passion for his first love is expressed in the wholesome honest music he creates in his musical furrow.<br />
Hold on to your hats&#8230;”</p>
<p><o:p></o:p><a href="http://www.myspace.com/joshuaoshomusic" title="http://www.myspace.com/joshuaoshomusic">www.myspace.com/joshuaoshomusic</a> <o:p></o:p></p>
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		</item>
		<item>
		<title>Sherika Sherard</title>
		<link>http://frdm.co.uk/2009/10/22/sherika-sherard/</link>
		<comments>http://frdm.co.uk/2009/10/22/sherika-sherard/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 11:22:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Artists]]></category>

		<guid isPermaLink="false">http://frdm.co.uk/2009/10/22/sherika-sherard/</guid>
		<description><![CDATA[&#8220;&#8230;my nursery rhymes are too deep&#8230;&#8221;
Prepare to be challenged, enlightened &#38; positively moved as you experience the infectious creativity of Sherika Sherard.
This South Londoner is just 18 but don&#8217;t let such youth fool you. Sherika has been writing &#38; performing for over 4 years and has already been crowned &#8220;London&#8217;s Best Solo Act&#8221; by Live [...]]]></description>
			<content:encoded><![CDATA[<p><strong>&#8220;&#8230;my nursery rhymes are too deep&#8230;&#8221;</strong><br />
<img src="http://frdm.co.uk/wordpress/wp-content/uploads/2009/10/untitled2.jpg" alt="Sherika Sherard" />Prepare to be challenged, enlightened &amp; positively moved as you experience the infectious creativity of Sherika Sherard.<br />
This South Londoner is just 18 but don&#8217;t let such youth fool you. Sherika has been writing &amp; performing for over 4 years and has already been crowned &#8220;London&#8217;s Best Solo Act&#8221; by Live &amp; Unsigned.<br />
Her rhymes speak with the authority of a seasoned wordsmith within tunes that are destined to become hugely familiar to anyone with an ear for melody and an emotional core&#8230;.</p>
<p><a href="http://www.myspace.com/sherikasherard">http://www.myspace.com/sherikasherard</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Tim Lever &#038; Mike Percy</title>
		<link>http://frdm.co.uk/2009/01/28/tim-lever-mike-percy/</link>
		<comments>http://frdm.co.uk/2009/01/28/tim-lever-mike-percy/#comments</comments>
		<pubDate>Wed, 28 Jan 2009 16:48:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Songwriters &amp; Producers]]></category>

		<guid isPermaLink="false">http://frdm.co.uk/2009/01/28/tim-lever-mike-percy/</guid>
		<description><![CDATA[Mike Percy and Tim Lever&#8217;s relationship was formed when they met at school in their home town of Liverpool. Their breakthrough as writers came as members of the internationally successful group Dead or Alive during which time they wrote and produced two albums with Stock, Aitken and Waterman, including “You Spin Me Round (Like A [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 10pt">Mike Percy and Tim Lever&#8217;s relationship was formed when they met at school in their home town of Liverpool. Their breakthrough as writers came as members of the internationally successful group <strong>Dead or Alive</strong> during which time they wrote and produced two albums with Stock, Aitken and Waterman, including “<strong>You Spin Me Round (Like A Record)</strong>”.</span></p>
<p><span style="font-size: 10pt"></span><span style="font-size: 10pt">The formation of One World Productions marked the beginning of Mike and Tim&#8217;s careers as writer/producer/remixers and they scored success with Soul II Soul, Phil Collins, After 7, Alexander O&#8217;Neal, Beats International, Kenny Thomas, The Pasadenas, Pauline Henry, Desree, Dannii Minogue, Rozalla, Kim Wilde, Diana Brown and Barrie K Sharpe.</span><span style="font-size: 10pt"> </span></p>
<p><span style="font-size: 10pt"></span><span style="font-size: 10pt">In 1995 they signed to Simon Fuller&#8217;s publishing Company <strong>19 Music</strong>, at the same time relocating to Sheffield and forming <strong>Steelworks Productions</strong> in partnership with Eliot Kennedy.</span><span style="font-size: 10pt"> </span></p>
<p><span style="font-size: 10pt"></span><span style="font-size: 10pt">Enjoying an amazingly successful period; they wrote and produced for such acts as Five, SClub 7, Billie Piper, Spice Girls, A1 and Emma Bunton to name but a few.</span></p>
<p><span style="font-size: 10pt"><strong>Latest News:<br />
&#8220;Right Round&#8221; No.1 on Hot 100<br />
</strong>Flo Rida&#8217;s adaptation of Tim Lever &amp; Mike Percy&#8217;s classic track &#8220;You Spin Me Round (Like A Record)&#8221; has moved 58-1 on the latest US Hot 100 chart. It also debuts at No.1 on the Hot Digital Songs chart with sales of 636,000.<br />
</span></p>
]]></content:encoded>
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		</item>
		<item>
		<title>The Future Sound Of London</title>
		<link>http://frdm.co.uk/2008/07/23/the-future-sound-of-london/</link>
		<comments>http://frdm.co.uk/2008/07/23/the-future-sound-of-london/#comments</comments>
		<pubDate>Wed, 23 Jul 2008 12:33:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Artists]]></category>

		<guid isPermaLink="false">http://frdm.co.uk/wordpress/2008/07/23/the-future-sound-of-london/</guid>
		<description><![CDATA[

Brian Dougans and Garry Cobain began their musical partnership and friendship in Manchester, in the mid 1980s whilst the two were studying at Manchester University. Dougans had already been making electronic music for some time when they first began working in various local clubs. In 1988, Brian embarked on a project for the Stakker graphics [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 10pt"><img border="0" align="top" width="649" src="http://www.futuresoundoflondon.com/dsmall.jpg" height="352" /></span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt">Brian Dougans and Garry Cobain began their musical partnership and friendship in Manchester, in the mid 1980s whilst the two were studying at Manchester University. Dougans had already been making electronic music for some time when they first began working in various local clubs. In 1988, Brian embarked on a project for the Stakker graphics company. The result was <strong><em>Stakker Humanoid</em></strong>. Garry collaborated with Brian on the accompanying album.</span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt">In the following three years the pair produced music under a variety of aliases, releasing it through the label Jumpin &amp; Pumpin. <strong><em>Stakker Humanoid</em></strong> re-entered the UK chart in 1992, followed by the breakthrough classic ambient dub track <strong><em>Papua New Guinea</em></strong>, which was also the first release under the Future Sound of London moniker. After releasing the album <strong><em>Accelerator</em></strong> to critical acclaim they signed to Virgin Records. With their new found contract they immediately began to experiment and the result was the <strong><em>Tales Of Ephidrena</em></strong> album, released under the Amorphous Androgynous alias.</span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt"><strong><em>Lifeforms</em></strong> followed in 1993. The new work was almost entirely free of percussion and was truly ambient across both discs. It was a top 10 hit in the <st1:country-region><st1:place>UK</st1:place></st1:country-region> album chart, and is still hailed as one of the greatest ambient electronica albums ever devised. Having pioneered the use of ISDN for music broadcasts to radio stations this year also saw the release of <strong><em>ISDN</em></strong>, it featured live broadcasts FSOL had made to various radio stations worldwide.</span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt">In 1996 they released <strong><em>Dead Cities</em></strong>. The new material was a mixture of ambient textures and hard gritty dance music. Promotion for the album culminated in a headline slot at the Essential Festival in <st1:place>Brighton</st1:place> in 1998. Once again utilising ISDN they played the gig from their studio in <st1:city><st1:place>London</st1:place></st1:city>.</span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt">Around this time Garry became very ill from what was later diagnosed as lead poisoning from the old fillings in his teeth. This illness caused Garry to go on a voyage of self-discovery that took him to <st1:country-region><st1:place>India</st1:place></st1:country-region> for an extended period where he studied Eastern and Ayurvedic medicine, Yoga and Taoism.</span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt">From these travels and research Brian &amp; Garry started to get the feel for a new direction in their music. They both got into the spirit of early psychedelia and leftfield 60’s/70’s rock and saw the potential of forging these new influences with the new technology and production expertise they had acquired. The resultant album, <strong><em>The Isness</em></strong><em>,</em> released under the Amorphous Androgynous moniker, was a cosmic mix of psychedelia, folk, big band, orchestral, eastern classical and electronic which also had an exotic mix of musical collaborators including Gary Lucas (Captain Beefheart/Jeff Buckley), Herbie Flowers (David Bowie, Lou Reed) and revered Indian classical sitarist Baluji Shrivastav.</span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt">With the release of <strong><em>Alice In Ultraland</em></strong> they focused the Amorphous Androgynous <em>modus operandi, </em>allowing it to exist and flourish fully on its own terms. Recorded over a three year period and expanding on <em>The Isness’</em> psychedelic/electronic soundscape, it is a samplerdelic funkoid roktronic cosmic ambient oozescape, merging the sonic with the lyric, the beat with the beat-less, the classic rock with the epic freeform roll. The album careers and morphs through virtually every musical genre as it twists its way from the imaginations of Dougans &amp; Cobain; from the Miles Davis mutoid jazz of <em>The Witch Hunt</em> to the electro funkadelic twist of <em>The Prophet, </em>the calming ambience of <em>Another Fairy Tale Ending</em> to the dark, epic Pink Floydisms of <em>The World Is Full Of Plankton</em>.</span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt">Following this release Brian and Garry set up the digital portal <strong><em>FSOLDigital</em></strong>, which has become the home to a wide array of material. &#8220;FSOLDigital is the electronic brain made reality. It gives us the freedom to do whatever we want, when we want. We are at the beginning of something and we are excitied by its possibilities.&#8221;</span><br />
<span style="font-size: 10pt"></span><br />
<span style="font-size: 10pt">Brian and Garry are currently working on brand new Future Sound Of London material as well as some soundtrack work. They continue to provide their idiosyncratic radio shows to stations across the globe and are looking at new ways to bring the FSOL experience to the live arena.</span></p>
<p><span style="font-size: 10pt"><strong>Latest News:<br />
Amorphous Androgynous Remix Oasis<br />
</strong><font size: 10pt"><strong><img src="http://frdm.co.uk/wordpress/wp-content/uploads/2009/02/fallingdown.thumbnail.jpg" alt="Falling Down" /></strong>FSOL, as their Amorphous Androgynous project, have remixed the next Oasis single “Falling Down”. It will be released on March 9th. Noel recently had this to say about it on the Oasis blog:<br />
<em>By the way, there’s gonna be a very special release coming your way soon. Remember that “Amorphous Androgynous” lot I was telling you about? Well, they’ve done a “Monstrous Psychedelic Bubble” mix of “Falling Down”. It’s 22 mins long. I’ll repeat that, TWENTY-TWO MINUTES LONG!! I fully expect 50% of you not to have the attention span to deal with something like that but the rest of you, I hope, will be blown away. It’s a staggering piece of music. Monumental even. All superlatives will apply.</em></font><br />
</span></p>
<p><span style="font-size: 10pt"><a href="http://www.futuresoundoflondon.com/">www.futuresoundoflondon.com</a> </span></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Jewels &#038; Stone</title>
		<link>http://frdm.co.uk/2008/05/30/jewels-stone/</link>
		<comments>http://frdm.co.uk/2008/05/30/jewels-stone/#comments</comments>
		<pubDate>Fri, 30 May 2008 13:41:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Songwriters &amp; Producers]]></category>

		<guid isPermaLink="false">http://frdm.co.uk/wordpress/2008/07/30/jewels-stone/</guid>
		<description><![CDATA[
Julian Gingell and Barry Stone first met at PWL Studios whilst working for the producers Stock, Aitken and Waterman. They have been working together as Jewels and Stone since the early 90’s remixing and adding additional production on tracks for artists such as Boyzone, Enrique Iglesias, Atomic Kitten and Sophie Ellis Bextor to name but [...]]]></description>
			<content:encoded><![CDATA[<p align="right"><span style="font-size: 10pt; color: black; font-family: Arial" lang="EN-GB"><a href="http://frdm.co.uk/wordpress/wp-content/uploads/2008/11/jss.jpg" title="Jewels &amp; Stone"><img src="http://frdm.co.uk/wordpress/wp-content/uploads/2008/11/jss.jpg" alt="Jewels &amp; Stone" /></a></span></p>
<p><span style="font-size: 10pt; color: black; font-family: Arial" lang="EN-GB">Julian Gingell and Barry Stone first met at PWL Studios whilst working for the producers <em>Stock, Aitken and Waterman</em>. They have been working together as Jewels and Stone since the early 90’s remixing and adding additional production on tracks for artists such as <em>Boyzone</em>, <em>Enrique Iglesias</em>, <em>Atomic Kitten</em> and <em>Sophie Ellis Bextor</em> to name but a few.</span></p>
<p><span style="font-size: 10pt; color: black; font-family: Arial" lang="EN-GB"><span style="font-size: 10pt; color: black; font-family: Arial" lang="EN-GB">In 1999, Jewels and Stone had their first chart success as writers and producers with the top 5 hit <strong><em>I Breathe Again</em></strong> by <em>Adam Rickett</em>. 2001 saw the duo remixing <em>S Club 7</em>’s <strong><em>Don’t Stop Moving</em></strong> which lead to their involvement with 19. Two successful writing collaborations with Cathy Dennis saw <strong><em>Dance, Dance, Dance</em></strong> by <em>S Club 7</em> featuring on the <em>Sunshine</em> album and the second being the award winning<strong><em> Pop Idol Theme Tune</em></strong>. More recent work has included writing, production and remix work for <em>Rachel Stevens</em>, <em>Dannii Minogue</em> and <em>Sophie Ellis Bextor</em>.</span></span></p>
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		</item>
		<item>
		<title>Tim Woodcock</title>
		<link>http://frdm.co.uk/2007/11/06/tim-daniel-woodcock/</link>
		<comments>http://frdm.co.uk/2007/11/06/tim-daniel-woodcock/#comments</comments>
		<pubDate>Tue, 06 Nov 2007 01:17:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Songwriters &amp; Producers]]></category>

		<guid isPermaLink="false">http://frdm.co.uk/wordpress/?p=12</guid>
		<description><![CDATA[London based with studio. Tim is a complete all round international writer, musician, programmer and producer (vocals his speciality) with songs recorded by artists totalling over 20 million album sales worldwide. Recently Tim has had a track in the Disney film &#8220;Race To Witch Mountain&#8221; and has been working with Enrique Iglesias and Eliza Doolittle for [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: Arial; font-size: 12pt"><a href="http://frdm.co.uk/wordpress/wp-content/uploads/2008/08/11s.jpg" title="Tim Woodcock"><img src="http://frdm.co.uk/wordpress/wp-content/uploads/2008/08/11s.jpg" alt="Tim Woodcock" /></a>London</span><span style="font-family: Arial; font-size: 12pt"> based with studio. Tim is a complete all round international writer, musician, programmer and producer (vocals his speciality) with songs recorded by artists totalling over 20 million album sales worldwide. Recently Tim has had a track in the Disney film &#8220;Race To Witch Mountain&#8221; and has been working with Enrique Iglesias and Eliza Doolittle for EMI.</span></p>
<table cellPadding="0" cellSpacing="0" id="credits">
<tr>
<th>Artist</th>
<th>Title</th>
<th>Format</th>
<th>Chart</th>
</tr>
<tr>
<td class="title">Simon Webbe</td>
<td class="artist">Coming Around Again</td>
<td class="format">Single</td>
<td class="position">UK #12</td>
</tr>
<tr>
<td class="title"> </td>
<td class="artist">No Worries</td>
<td class="format">Single</td>
<td class="position">UK #4</td>
</tr>
<tr>
<td class="title"> </td>
<td class="artist">Lay Your Hands</td>
<td class="format">Single</td>
<td class="position">UK #4</td>
</tr>
<tr>
<td class="title"></td>
<td class="artist">After All This Time</td>
<td class="format">Single</td>
<td class="position">UK #16</td>
</tr>
<tr>
<td class="title"></td>
<td class="artist">Grace</td>
<td class="format">Single</td>
<td class="position">UK #36</td>
</tr>
<tr>
<td class="title">Blue</td>
<td class="artist">Guilty</td>
<td class="format">Single</td>
<td class="position">UK #2</td>
</tr>
<tr>
<td class="title"></td>
<td class="artist">Supersexual</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title"></td>
<td class="artist">Taste It</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title"></td>
<td class="artist">All Rise (2 Tracks)</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title">Delta Goodrem</td>
<td class="artist">Innocent Eyes (4 Tracks)</td>
<td class="format">Album</td>
<td class="position">UK #2</td>
</tr>
<tr>
<td class="title">Lemar</td>
<td class="artist">When A Heart Is Broken</td>
<td class="format">Album</td>
<td class="position">UK #3</td>
</tr>
<tr>
<td class="title">Atomic Kitten</td>
<td class="artist">Ladies Night (2 Tracks)</td>
<td class="format">Album</td>
<td class="position">UK #5</td>
</tr>
<tr>
<td class="title">Toploader</td>
<td class="artist">Just Hold On</td>
<td class="format">Single</td>
<td class="position">UK #20</td>
</tr>
<tr>
<td class="title"></td>
<td class="artist">Following The Sun</td>
<td class="format">Album</td>
<td class="position">UK #3</td>
</tr>
<tr>
<td class="title">S Club 7</td>
<td class="artist">You</td>
<td class="format">Single</td>
<td class="position">UK #2</td>
</tr>
<tr>
<td class="title">Billie Piper</td>
<td class="artist">Something Deep Inside</td>
<td class="format">Single</td>
<td class="position">UK #4</td>
</tr>
<tr>
<td class="title">Darius</td>
<td class="artist">Live Twice</td>
<td class="format">Single</td>
<td class="position">UK #7</td>
</tr>
<tr>
<td class="title">James Fox</td>
<td class="artist">Hold On To Our Love Tonight</td>
<td class="format">Single</td>
<td class="position">UK #7</td>
</tr>
<tr>
<td class="title">Ben Mills</td>
<td class="artist">Picture Of You (5 Tracks)</td>
<td class="format">Album</td>
<td class="position">UK #3</td>
</tr>
<tr>
<td class="title"></td>
<td class="artist"></td>
<td class="format"></td>
<td class="position"></td>
</tr>
</table>
]]></content:encoded>
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		</item>
		<item>
		<title>Tom Nichols</title>
		<link>http://frdm.co.uk/2007/11/05/tom-nichols/</link>
		<comments>http://frdm.co.uk/2007/11/05/tom-nichols/#comments</comments>
		<pubDate>Mon, 05 Nov 2007 17:33:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Songwriters &amp; Producers]]></category>

		<guid isPermaLink="false">http://frdm.co.uk/wordpress/?p=4</guid>
		<description><![CDATA[

Tom Nichols is an ASCAP award winning songwriter/producer living in London. His first release ‘Black Coffee’ by All Saints went to No.1 in UK.

He has since had songs recorded by Jessica Simpson, Celine Dion, Kylie, Lindsay Lohan, selling more than 30million records.

He owns Juicymusik, his production and publishing entity, and last year had over 40 confirmed [...]]]></description>
			<content:encoded><![CDATA[<p><img src="/wordpress/wp-content/uploads/2007/11/tom.jpg" alt="Tom Nichols" title="Tom Nichols" /><br />
<span style="font-size: 10pt; font-family: Arial"><br />
Tom Nichols is an ASCAP award winning songwriter/producer living in London. His first release ‘Black Coffee’ by All Saints went to No.1 in UK.</span><br />
<span style="font-size: 10pt; font-family: Arial"><br />
He has since had songs recorded by Jessica Simpson, Celine Dion, Kylie, Lindsay Lohan, selling more than 30million records.</span><br />
<span style="font-size: 10pt; font-family: Arial"><br />
He owns Juicymusik, his production and publishing entity, and last year had over 40 confirmed releases including singles by Simon Webbe, Gareth Gates and Stephanie McIntosh.</span><br />
<span style="font-size: 10pt; font-family: Arial"><br />
Cuts include:</span></p>
<table cellPadding="0" cellSpacing="0" id="credits">
<tr>
<th>Title</th>
<th>Artist</th>
<th>Format</th>
<th>Chart</th>
</tr>
<tr>
<td class="title">All Saints</td>
<td class="artist">Black Coffee</td>
<td class="format">Single</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title">Kylie Minogue</td>
<td class="artist">Fever</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title"> </td>
<td class="artist">Burning Up</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title">Celine Dion</td>
<td class="artist">Have You Ever Been In Love</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title">Sugababes</td>
<td class="artist">Undignified</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title">Stephanie McIntosh</td>
<td class="artist">Mistake</td>
<td class="format">Single</td>
<td class="position">Aus #2</td>
</tr>
<tr>
<td class="title">Jessica Simpson</td>
<td class="artist">Forbidden Fruit</td>
<td class="format">Album</td>
<td class="position">US #2</td>
</tr>
<tr>
<td class="title">Lindsay Lohan</td>
<td class="artist">To Know Your Name</td>
<td class="format">Album</td>
<td class="position">US #2</td>
</tr>
<tr>
<td class="title">Hall &amp; Oates</td>
<td class="artist">Do It For Love (3 Tracks)</td>
<td class="format">Album</td>
<td class="position">US #20</td>
</tr>
<tr>
<td class="title">Gareth Gates</td>
<td class="artist">Angel On My Shoulder</td>
<td class="format">Single</td>
<td class="position">UK #22</td>
</tr>
<tr>
<td class="title"></td>
<td class="artist">Downtown</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title"> </td>
<td class="artist">Alive</td>
<td class="format">Album</td>
<td class="position">UK #1</td>
</tr>
<tr>
<td class="title">Rachel Stevens</td>
<td class="artist">Silk</td>
<td class="format">Album</td>
<td class="position">UK #9</td>
</tr>
</table>
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